Metaphysics of Epoch Synchronisations and Music

The purpose of this work is to trace the natural character those historical metaphysical similarities that are laid down by repetition social changes from century and evoke corresponding artistic stylistic analogies based on religious cultural tendencies nations. methodological basis intonation approach B. Asafiev’s school in Ukraine, comparative hermeneutic prolongations works D. Androsova, T. Verkina, O. Kozarenko, I. Kotliarevskyi, Liashenko, Liu Bintsyan, Markova, Muravska, Sokolova, with use scientific research methods: art analytical, descriptive historical, regionalist, studies. novelty determined originality correlation layers culture according logic their epochal style thought coincidence, including parallels ideological state-building institutions, behavioural ethical norms revolutionary strata China Italy 1840s 1850s, prevalence stringed plucked instruments as a sign Renaissance thinking Europe China, capture Rococo influences Cossack Ukraine focus woman’s creative participation. Conclusions. discovery features nations East obliges us recognise Europe, which recorded parallel life-behavioural cultural-artistic actions Italian Risorgimento ("Renaissance Italy" realisation romantic utopia) Chinese Taipingyang (the construction "Heavenly City" utopia greatness ancient China). article also introduces assertion original "two worlds" biconfessional Jagiellonian Poland, component demonstrated tangent majestic achievements prosaloon aristocratic instrumentalism life kobzars-bandura players song-madrigal female expression.
 Key words: metaphysics history, renaissance, culture, musical thinking, style.